Engineering by Sergey Komarov, Alexey Grachev
The project is titled with a quote from Feodor Dostoevsky. The object itself is a five-meter model of a very common device in Russia, popularly nicknamed “flytrap”. This adhesive tape, coated with honey, to catch flies. Tape in the object is a metaphor for pleasure. When a viewer approaches the sculpture and gets into a range of sensors, the tape begins to vibrate and hum, reproducing plaintive fly sounds. The authors have tried to combine in the object in a rather sarcastic way the pathos of Dostoevsky’s expression of human pettiness with a tragedy of death.
Artist. Born in 1949 in Leningrad, USSR. Graduated from the Ilya Repin State Academic Institute of Painting, Sculpture and Architecture (Leningrad, USSR). Works in the fields of philosophy, psychology, painting, drawing, sculpture and installations. Professor of drawing at the Ilya Repin Institute. Recipient of Sergey Kuryokhin Award (Russia, 2012) as “Best Work of Visual Art” (together with Elena Gubanova). His works were exhibited at major Russian and foreign venues, including the Hermitage Museum (St. Petersburg, Russia), Russian Museum (St. Petersburg, Russia), Museum of Moscow (Moscow, Russia), Chelsea Art Museum (New York, USA), Kunstquartier Bethanien (Berlin, Germany), Sky Gallery 2 (Tokyo, Japan). Participant of the Manifesta 10 parallel program (St. Petersburg, Russia, 2014) and several exhibitions parallel to Venice Biennale (biannually since 2011). Since 1990, he has been working in collaboration with Elena Gubanova. Lives and works in St. Petersburg, Russia.
Elena Gubanova
Artist, curator. Born in 1960 in Ulyanovsk, USSR. Graduated from the Ilya Repin State Academic Institute of Painting, Sculpture and Architecture (Leningrad, USSR). Works in the fields of painting, sculpture, installations, and video. Recipient of Sergey Kuryokhin Award (Russia, 2012) as “Best Work of Visual Art” (together with Ivan Govorkov). Her works were exhibited at major Russian and foreign venues, including the Hermitage Museum (St. Petersburg, Russia), the Russian Museum (St. Petersburg, Russia), Museum of Moscow (Moscow, Russia), Chelsea Art Museum (New York, USA), Kunstquartier Bethanien (Berlin, Germany). Participant of the Manifesta 10 parallel program (St. Petersburg, Russia, 2014) and several exhibitions parallel to Venice Biennale (biannually since 2011). Since 1990, she has been working in collaboration with Ivan Govorkov. Lives and works in St. Petersburg, Russia.
www.elenagubanova.com